Opening Film Titles of Catch Me If You Can :
Dream Works Pictures Presents
A Kemp and Splendid Pictures Production
A Parkes/MacDonald Production
A Steven Speilberg Film
Leonardo DiCaprio - Cast
Tom Hanks - Cast
Catch Me If You Can - Film Title
Cristopher Walken
Martin Sheen
Nathalie Baye
Amy Adams
James Brolin, Brian Howe, Frank John Hughes
Steve Eastin, Chris Ellis, John Finn
Casting by Debra Zane, CSA Casting Associate Terri Taylor
Co-Producer Devorah Moos-Hankin
Based upon the book by Frank W. Abagnale
with Stan Redding
Music by John Williams
Titles by Kuntzel Deygar
Costume Designer Mary Sophres
Film Editor Michael Kahn, A.C.E.
Production Designer Jeannine Oppewall
D.O.P. Director Of Photographer Janusz Kaminski, ASC
Co-Executive Producers Barry Kemp, Laurie MacDonald, Michael Shane, Tony Romano
Produced by Steven Speilberg, Walter F. Parkes
Screenplay Jeff Nathanson
Directed by Steven Speilberg.
Monday, 21 November 2011
Wednesday, 16 November 2011
Filming and Editing the Continuity Exercise - 14/11/11
We filmed on our continuity exercise on Monday 7th November in the Common Room at school. We made sure we filmed all our our shots on one side to ensure we fulfilled the 180 degree rule. We also filmed the shots of our match on match action more than once to make sure that we completed this. The shot reverse shot was easily completed.
We completed the editing of our film today on Final Cut Express HD . Both me and Jess found editing on this easy to adjust to and therefore managed to complete it quite quickly. The razor tool and selection tool were the most common tools we used to edit, the razor tool cuts the shots at where you want to break them up and the selection tool can be used to move, cut or delete a certain shot. We showed our teacher the completed continuity exercise of ours and he said it was good.
We completed the editing of our film today on Final Cut Express HD . Both me and Jess found editing on this easy to adjust to and therefore managed to complete it quite quickly. The razor tool and selection tool were the most common tools we used to edit, the razor tool cuts the shots at where you want to break them up and the selection tool can be used to move, cut or delete a certain shot. We showed our teacher the completed continuity exercise of ours and he said it was good.
Script of continuity exercise
Person 1 - walks towards door
*close up of hand reaching out to open the door and opening it half way*
Full shot of person 1 opening the door fully and walking through the door from the other side
person 1 walks towards person 2 and sits down
Person 1 : OMG!!
Person 2: WHAT?
Person 1: gasps and puts hands over mouth
*close up of hand reaching out to open the door and opening it half way*
Full shot of person 1 opening the door fully and walking through the door from the other side
person 1 walks towards person 2 and sits down
Person 1 : OMG!!
Person 2: WHAT?
Person 1: gasps and puts hands over mouth
What we are going to do 2/11/11
Today I will be filming my continuity exercise with my partner, the location of our filming will be the common room in school and we will be using two of our class members as our characters. This continuity exercise will consist of Match On Match, Shot Reverse Shot and 180 Degree Rule.
Definitions 31/10/11
Key Defintions
Match On Match - This is where the actions of the first shot are followed through in to the next shot. It is a shot that is cut from one shot to another and means that even though you may film the shots at different times there is no visible evidence of jump cuts which shows a good continuity.
Shot Reverse Shot - This is where we go from a shot of one person, to another and back to the same person again. This is usually represented in the form of a conversation.
180 Degree Filming - This means that all the filming stays on one particular side which helps the audience be clear with what exactly is going on.
Match On Match - This is where the actions of the first shot are followed through in to the next shot. It is a shot that is cut from one shot to another and means that even though you may film the shots at different times there is no visible evidence of jump cuts which shows a good continuity.
Shot Reverse Shot - This is where we go from a shot of one person, to another and back to the same person again. This is usually represented in the form of a conversation.
180 Degree Filming - This means that all the filming stays on one particular side which helps the audience be clear with what exactly is going on.
Subscribe to:
Posts (Atom)